Question: In the world of guitar, there always seems to be little hidden gems of talent that get over shadowed by another stage presence. In my view, two off the top of my head are guitar sideman Earl Slick (David Bowie) and Davey Johnstone (Elton John). I find their overall body of work to be both tasteful and imaginative. I was just wondering if you had any players in mind that you’ve felt over the years have really contributed to the unique sound of someone but they in turn have remained somewhat in the shadows of fame?

Wilhuerto Live: Both Slick and Johnstone are perfect examples. Carlos Alomar was another who played and wrote with Bowie. One name that pops into my head is Paul Kossoff, the legendary guitarist for the English band Free. I doubt that today there are very many who remember his early contributions in terms of taste, fluidity, sound and style. Now, I know most would remember the name of the singer that emerged from that band, namely Paul Rogers. It didn't help that Kossoff had serious drug issues and died on a transatlantic flight in 1976, but I never thought he got his due as a guitarist. Some others on my list would include Chris Spedding who's played with the Sharks (Andy Fraser of Free on bass), Bryan Ferry, Elton John, and Robert Gordon among others. He’s also released several solo albums. Another is former producer and lead guitarist for Dwight Yoakum, Pete Anderson. Martin Barre of Jethro Tull. Mick Taylor during his time with the Rolling Stones (whatever happened to Mick? Stupid career move. Mick, where are you?). The list could keep going...

Question: I’ve been a rut for awhile when playing lead. I find myself playing repetitious licks and solos that seem to really lead nowhere. While the audience has never complained, I find myself not enjoying playing our set like I used to. Is there anything you’ve done over the years to break away from a situation where you’ve had the opportunity to improvise and the it’s just not clicking anymore? It also seems to parallel my original songwriting...which is stagnant as well.

Wilhuerto Live: Perhaps boredom with the material you are playing has set in. I have found, to coin a phrase, variety is the spice of life. Just as with most aspects of life, a guitarist has to challenge himself constantly to keep expanding his/her reach. There is a ton of different material out there to expose yourself to in order to be challenged. In my own song writing, I have found writing with other musicians can certainly add new dimensions and creativity. Some great songs have been born with one individual and brought to fruition with the help of others.

Question: My son has been asking me for a guitar. He’s 11 years old and he really seems to be serious about wanting to take lessons and become a true student of the electric guitar. My dilemma is how much money should I spend? I don’t want to buy him an instrument so poorly constructed that it sounds horrible, plays terrible and kills his interest in studying music, but at the same time doesn’t cost me a fortune to purchase and worse yet…if it turns out to be a whim and the guitar sits in corner and collects dust. Do you have any suggestions for me?

Wilhuerto Live: Take your son to any Guitar Center and buy him one of the beginner guitar packages. Most starter packages come with a Fender quality guitar (usually a Stratocaster), a low wattage amp, strap, cord, strings, and many times a tuner for less than a couple hundred dollars.

Question: As an ex-touring musician I was wondering if you had any advice to pass on to me about relocating to a larger city (LA or NY) for more exposure. From your experience do you think moving to a big city is of benefit if I truly feel I have the talent to a make a living as an artist and at the highest level? I’m from a small town, so I know sticking around here isn’t going to help my cause.

Wilhuerto Live: If you are willing to make the commitment and have the financial independence to stick it out, yes, as you'll never get beyond the small town exposure. You'll need to do your homework and establish connections through one form or another prior to leaving as well as once you are there. The competition is going to be extremely tough as there are a lot of guitarists with your goal and talent level.

Question: Who are your top five influences on guitar?

Wilhuerto Live: The top five in no order of influence...

Jeff Beck
Eric Clapton
Paul Kossoff
Mick Taylor
Jimi Hendrix

followed by..

Jimmy Page
David Gilmour
Michael Pesavage
Mick Abrahams
George Harrison

and somewhere in the mix..

Chuck Berry
Keith Richards
Robbie Krieger
Dave Davies
Pete Townsend

I think one might see a common theme here....